|
|
|
|
CD; [cassette]
|
| 4/92 |
A |
Academy of Ancient Music; Hogwood |
Music from the time of Elizabeth I (1978) |
Oiseau Lyre 433193
|
| 6 |
Al |
Alamir. Skinner |
Great music from the Court of Henry VIII |
Gift of music CCL CDG 1148
|
|
Am |
Alba Musica, Kyo |
Elizabethan music c1600 |
Channel Classics 11497
|
| 99 |
Aw i-ii |
Agnew,Wilson |
DOWLAND Lute songs |
Met CD 1010-1
|
| 93 |
|
Baird; McFarlane |
Greensleeves. 25 English lute songs |
Dorian DOR 90109
|
| 3 |
BaA |
Baltimore Consort |
Adew Dundee: Early music of Scotland |
90314
|
| 2 |
BaB |
|
The Best of the Baltimore Consorrt |
90023
|
| 98 |
BaL |
|
The Ladyes delight |
90252
|
| 4/96 |
BaW |
|
Watkins Ale (1991) |
90142
|
| 0 |
BaS |
Baltimore Consort, Baird, Les Witches, Toronto Consort |
Shakespeare’s music |
90017
|
| 99 |
Bc |
Booth, Colin (harpsichord) |
PHILIPS The English exile |
Soundboard Records SBCD 992
|
| 10/91 |
BoA |
Bowman; Miller; King’s |
Awake sweet love |
Hyperion CDA 66447
|
|
BoD |
consort; King |
DOWLAND Ayres and lute lessons |
Saga EC 3375/ SCD9004
|
|
BoEd |
|
Elizabethan airs and dances |
‡Saga SCD 9040
|
| 3/87 |
BoEs |
Bowman, Spencer, Nesbit, ` |
Elizabethan lute songs and solos (1972) |
‡EMI EMX; [ECL] 2101
|
| 8/93 |
BreG |
Julian Bream Edition, |
1 Golden age of English lute music (1960) |
BMG/RCA 09026 61584
|
| 6/94 |
BreD |
|
3 Dances of DOWLAND (1976) |
61586
|
|
BreW |
|
4 The woods so wild |
61587
|
| 8/93 |
BreF |
|
7 Fantasias, ayres and dances; Tear |
61590
|
| 8/93 |
BreE |
|
19 Elizabethan lute songs, Pears (1967) |
61602
|
|
BroA |
Broadside Band; Barlow |
French and English popular dances of the Sixteenth century |
Harmonia mundi HMC 90 1152 [40 1152]
|
| 3/88 |
BroJ |
|
John Playford’s popular tunes |
Amon Ra CDSAR 28; [CSAR 28]
|
| 94 |
BroL |
|
Dolmetsch Historical Dance: A lively shape of dauncing |
|
| 92 |
BroP |
|
Popular tunes in Seventeenth century England (1982) |
Harmonia mundi HMA 190 1039
|
| 95 |
BroS |
|
Songs and dances of Shakespeare’s time |
Saydisc SDL 409
|
| 98 |
Bw |
Boston Camerata |
What then is love? An Elizabethan songbook. Cohen |
Erato 3984 23417
|
|
By |
Boyd Neal String Orchestra |
Dances of Shakespeare’s time ‡Oiseau Lyre |
|
|
CamE |
Camerata of London |
English ayres and dialogues |
Hyperion CDA 66003
|
|
CamH |
Mason (lute) et al. |
Popular music from the time of Henry VIII |
Saga EC 3357
|
|
CamM |
|
Music for kings and courtiers (1979) (2 lutes, guitar, 2 violins, mz-sop, b-viol) |
Saga EC 3367-2; [5467-4]
|
| 94 |
CamP |
|
Popular music from the time of Queen Elizabeth I (1986) |
Saga EC 3352
|
| 90 |
CamQ |
|
The Queen’s men |
Cantoris CRD 3355; [CRDC 4055]
|
|
CamS |
& Giles; Dyer |
Shakespeare’s musicke sung in authentic English pronunciation |
Meridien CDE 84198
|
| 9/97 |
Cap |
Capriccio stravagante |
BYRD Music for virginals and consorts; Sempre (harpsichord) |
Auvidis E 8611
|
| 10/94 |
Cc |
Chance; Wilson (lute) |
Elizabethan and Jacobean lute songs |
Chandos CHAN 0538
|
| 99 |
ChF |
Charivari agréable |
Fitzwilliam virginal book; transcr. mixed consorts |
Signum records SIGCD 009
|
| 12/97 |
Ci |
Circa 1500; Hadden |
A handful of pleasant delights: Elizabethan ballads (1977, 1990-5) |
ASV CDGAU 163
|
|
CmD i-xii |
Consort of Musicke, Rooley Wilson, Lindberg |
DOWLAND Collected works. 12 discs |
L’Oiseau Lyre 452563-75
|
|
Cl |
Clemencic consort |
Danses de la Renaissance |
French Harmonmia mundi 90610
|
|
Co |
Concordia |
GIBBONS Go from my window, 2 bass viols |
MetCD 1039
|
| 96 |
CwB |
City Waites; The Musicians of Grope Lane Bawdy ballads of Old England |
Regis RRC 1175 |
|
| 92 |
CwL |
City Waites; Wootton, Skeaping |
Lusty songs & country dances of Sixteenth century England |
Regis RRC 1275
|
|
CwM |
City Waites; Wootton |
Music of the Tudor age |
Sound Alive SAMT CD 104
|
| 11/02 |
CwQ |
|
The Queen’s Goodnight |
Signum records SIGCD 020
|
| 99 |
DeC |
Deller, Deller consort; Dupré |
Shakespeare songs and consort music (1965-7) |
Harmonia mundi 05472 77692
|
|
DeE |
Deller, Dupré, Leonhardt Consort |
Elizabethan and Jacobean music II |
Vanguard 085094.71
|
|
DeP |
Deller, Munrow, Dupré |
O ravishing delight. English airs |
Harmonia mundi HMA 90 215
|
| 82 |
DeS |
Deller Consort; Dupré |
Shakespearean songs and consort music |
Harmonia mundi HMA 190 202
|
|
DI iii-iv |
Dixon, Peggy |
Nonesuch early dance, vols 3-4 Elizabethan dances parts i-ii |
|
|
DI v |
|
English country dances |
|
| 91 |
DoH |
Dowland Consort; Lindberg |
Heavenly noyse: pieces for broken consort |
BIS CD 451
|
| 86 |
DoL |
|
DOWLAND Lachrimae |
BIS CD 315
|
| 4/92 |
DoP |
Dowland Consort, Lindberg |
HOLBORNE Pavans, Galliards, Almands and other short airs |
BIS CD 469
|
| 4 |
DO |
Duffin, Ross |
Shakespeare’s songbook. [CD recording of 81 of the 160 songs printed] see Key to symbols ‘DO’ |
|
| 4 |
Dr* |
Ensemble Dreiklang Berlin |
Pastyme with good companye: Music at the Court of Henry VIII |
Chandos CHAN 0709
|
| 10/96 |
Du |
Dufay Collective |
Johnny Cock the beaver: Popular music making in 17th century England |
Chandos CHAN 9446
|
|
Ec |
English Consort of viols |
Shakespeare’s England: music of his plays and people. Griffett, Wright, McGegan |
Griffin GCCD 4036
|
|
Eg |
Elizabethan Consort |
Great music from the Court of Elizabeth I |
Classical Communications CDG`1052
|
|
Eh |
Ensemble Chaconne |
Measure for measure: the music of Shakespeare’s plays |
America’s music works AM 1594
|
| 04 |
EmH |
Early Music Consort; Munrow |
Henry VIII and his six wives (1972-6) |
Testament SBT 1250
|
| 85 |
EmP |
|
PRAETORIUS 9 Dances from Terpsichore (and Motets) |
Veritas 61289
|
| 9/95 |
EmR |
& The Morley Consort |
Two Renaissance dance bands. Susato. Morley |
Testament SBT1080
|
|
EmT |
Early Music Consort; Turner Pro cantione antiqua |
Music at the English court c1415-1530 |
Editio clasica DHM GD77178
|
| |
En |
Ensemble Amaryllis |
Amour et Mascarade (The English masque) |
Ambroisie AMB 9902
|
|
EnG |
Ensemble Galilei |
Come, gentil night, music of Shakespeare’s world |
Telarc 80556
|
|
EsU |
Estampie |
Under the Greenwood Tree |
Naxos 8. 553442
|
| 89 |
EsW |
|
With dances and delight |
Meridian CDE 84170; [KE 77170]
|
|
Ex |
Extempore string ensemble |
DOWLAND Lachrymae, etc |
(1981)Hyperion CDA 660
|
| 0 |
FA i-ii |
Fretwork; Wilson (lute) |
Armada: Music from the courts of England and Spain |
|
|
|
|
2 CD set (1986) |
Virgin VC 5 61821
|
| 7/94 |
FD |
|
DOWLAND Lachrymae (complete) (1087-9) |
5.45005
|
| 3/91 |
FG i-ii |
|
Goe nightly cares: Dances from DOWLAND’S Lachrymae Consort music and songs of BYRD |
Virgin VS 5 6156186
|
| 6/88 |
FH |
|
Heart’s ease: music for viol consort from the late Tudor and early Stuart age |
7.59667
|
| 11/89 |
FN |
|
DOWLAND and BYRD Night’s black bird |
7.59539
|
| 7/90 |
FP |
& Budd; Chance |
A Play of Passion: Songs for the stage and consort music |
5.45007
|
|
Ge |
Gesualdo Consort; |
The Food of love: words and music from Shakespeare’s theatre |
|
|
|
|
Dorothy Linnell (lute) |
Cantoris CRDC 6017
|
|
Go |
Gottfried Reiche Consort |
English Renaissance and Baroque works |
Ambitus AMB 97865
|
| 82-93 |
Gt |
A Golden treasury of Elizabethan music York Waits; Broadside Band; Rose Consort; Roberts, Potter and others |
|
Saydisc (Amon Ra) CD-SAR 62
|
| 9/91 |
Ha |
Hantai (harpsichord) |
FARNABY Keyboard works |
Adda 581172
|
| 6 |
Hc |
His Majesty’s Cornets and Sackbuts |
English music from Henry VIII to Charles II |
Dorian 66894
|
| r96-7 |
He |
Heringman (lute, cittern); S. Pell (bass) |
HOLBORNE Hulburn’s passion |
ASV CDGAU 173
|
| 96 |
HeP |
Heringman |
Jane Pickering lute book |
Avie AV 0002
|
| 94 |
Hi |
Hilliard Ensemble |
Songs for a Tudor king |
Saga SCD 9008; [EC3378]
|
|
Hl |
Högman, Christina; Lindberg, Jakob. |
Faire and sweet and cruell |
BISCD 257
|
|
Ho |
Hogwood |
BYRD works. 3 record set |
‡Philips 430485
|
| 1 |
Hp |
Hesperus |
The Food of Love: Early instrumental music of the British Isles |
Dorian 90290
|
| 2/99 |
Hs |
Hespèrion XX; Savall |
Elizabethan consort music |
Alia Vox AV 9804
|
|
HsT |
|
HOLBORNE The Teares of the Muses. Elizabethan consort music, |
AV 9813
|
|
Kc |
King’s Consort; King |
If music be the food of love |
IMP Classics [30368 01054]
|
| 11/92 |
Ke |
Kenny, Liz (lute), Magdalen College Choir |
Music for a May morning; Ives |
Cantoris CRCD [CRMC] 2366
|
| 94 |
KnK |
King’s Noyse; Douglass Hargis; O’Dette |
The King’s delight: 17th century ballads for voice and violins |
Harmonia mundi HMU 90 7101
|
| 11/96 |
KnM |
|
Mascharada : music at the court of Ernest III |
HMU 90 7165
|
| 7/97 |
KnQ |
|
The Queen’s delight: 17c English ballads |
HMU 90 7180
|
| 99/06 |
Kt |
King’s Singers |
The Triumphs of Oriana |
Signum SIGCD 082
|
| 4/92 |
KyD |
Kirkby (sopr.) Rooley (lute) |
DOWLAND The English Orpheus |
Virgin CDC 59321
|
| 79 |
KyE |
|
The Lady’s musick. Elizabethan songs |
Oiseau Lyre 425892
|
| 4/94 |
KyJ |
+Thomas (bass) |
Robert JOHNSON Shakespeare’s lutenist: Theatre music |
Virgin CDC 59321
|
|
L |
Lindberg & O’Dette |
John JOHNSON English lute duets |
BIS CD 267
|
| 11/95 |
Ld |
Lindberg, Jakob |
DOWLAND Lute music. 4 discs |
BIS CD 722-4
|
| 9/03 |
Lg |
Lewin, Giles |
Shakespeare’s musicke. New London Consort, Miller, Thorby, Pickett |
Meridien KE77198
|
| 87 |
Ln |
Lionheart |
My Fayre Ladye: images of womwn in Medieval England |
Nimbus NI 5512
|
| 95 |
Ma |
Marincola, F |
HOLBORNE Lute pieces |
Pier PV 795112
|
| 8/08 |
Md |
Mead, Thomas |
|
|
| 4/92 |
Mf |
McFarlane, Ronn |
DOWLAND Lute music of Dowland |
Dorian 90148
|
|
|
|
The Scottish lute, lute and mandora Dorian |
|
| 10/97 |
MgM |
Musicians of the Globe; Pickett, Finucane, Heringman |
Shakespeare’s Musick: 24 songs and dances from Shakespeare’s plays in contemporary or near contemporary surviving settings |
446678
|
| 9/99 |
MgN |
|
Nutmeg & Ginger: spicy ballads from Shakespeare’s London |
456 507
|
| 10/97 |
MgO |
|
A Masque of Oberon, 1611 |
446 217-2
|
| 98 |
Mh |
Mock Hobby Horse |
Maypole and Mistletoe |
Bob Martin (1998)
|
|
Mn |
Musica antiqua of London |
Field of the Cloth of Gold |
Amon Ra CDSAR 51
|
| 2/86 |
Mo i-vii Moroney |
BYRD Complete keyboard works. 7 discs |
Hyperion CDA 66551-703 |
|
| 10/99 |
MoP |
|
BYRD Pavanes and galliards (1966) |
‡Harmonia mundi HMC 1240
|
| 1 |
MsE i-ii |
Musicians of Swanne Alley & Nordstrom, O’Dette |
Elizabethan ballads and theatre music In the streets and theatres of London. Elizabethan ballads and theatre music |
Virgin VC 90789
|
| 4 |
Mt |
Thorby |
Madame d’Amours: songs, dances and consort music for the six wives of Henry VIII |
Signum SIGCD 044
|
|
Mu |
Munrow |
Introduces and performs Mediaeval and Renaissance music |
[TC-CFP 4384]
|
|
My |
Mayes, Joseph. |
Lightly love ladies: popular lute music of Elizabethan England |
|
| 3 |
N* |
North, Nigel (lute) |
Go from my window: English Renaissance ballad tunes |
Linn CKD 176
|
| 4/94 |
NeE |
New London Consort; |
Elizabethan and Jacobean consort music |
Linn CKD 011
|
| 11/86 |
NeP |
Pickett |
PRAETORIUS Terpsichore dances |
L’Oiseau Lyre 414 633
|
| 79 |
No |
Noyse of musitians |
Early English music. Hillier, Luxon & 2 rebecs |
Plant Life PLCD 083
|
| 86 |
OA |
O’Dette [and consort] |
Ancient airs and dances |
Hyperion CDA 66228
|
| 11/95, 8/96, 12/96, 2/97; 7/97 |
OD i-v O’Dette, Paul |
DOWLAND Complete lute works. 5 discs |
|
Harmonia mundi HMU 90 7160-4
|
| 7/01 |
OH |
|
Robin Hood: Elizabethan ballad settings for lute |
HMU 907265
|
| 2 |
OL |
|
The Royal lewters |
HMU 907313
|
| 1/89 |
PaC |
Parley of Instruments; |
PHILIPS Consort music |
Hyperion CDA 66240
|
| 0 |
PaD |
Holman |
PRAETORIUS Dances from Terpsichore; Renaissance violin band |
Hyperion CDA 67240
|
|
PaH |
|
Hark, Hark, the lark!: Music for Shakespeare’s Company |
CDA 66836
|
| 5/96 |
PaM |
|
Music of Violenze: Dances, Fantasias and popular tunes of Queen Elizabeth’s violin band |
CDA 66929
|
|
Pb |
Praetorius consort, Ball |
Dances from PRAETORIUS Terpischore [and other contemporary sources] (1976) |
Regis RRC 1076
|
|
Pd |
Parsons, David (lute) |
Robert DOWLAND A Variety of lute lessons |
METCD 1050
|
| 8 |
Ph |
Place, Hickey, Linell |
Music of Shakespeare’s theatre |
Naxos 8570708
|
| 56; 98 |
Pp |
Pears; Bream |
Elizabethan love soings |
Balart 461602
|
| 91 |
Py |
Payne, Joseph |
The Queen’s command: masterpieces of Elizabethan keyboard |
(Lute Society 0905655117) BIS CD 539
|
| 2 |
Q |
Quint Essential |
Elisa is the fayrest queen |
Chandos CHAN 0686
|
| 8/93 |
R |
Red Byrd and c.1500 |
Cries and ballads of London |
Cantoris CRD 3487
|
|
RoC |
Rose consort of viols |
DOWLAND Consort music and songs |
Naxos 8554204
|
|
RoE |
|
Elizabrethan songs and consort music |
8 554284
|
| 10/93 |
RoM |
A Tysall |
‘Ah dear heart’ |
Woodmansterne WOODM 002
|
| 6/95 |
RoR |
Rose consort/ Red Byrd. Bonner & Roberts |
BYRD Music for viols, voices and keyboard |
Naxos 8 55060
|
| 4/93 |
Sa |
Sayce |
Golden Age restored: the lute music of John and Robert JOHNSON |
Dervorguilla DRVS CD 101
|
| 9/96 |
Sc |
Scholl, Martin |
English folk song and lute song |
Harmonia mundi 90 1003
|
|
Se |
Scottish Early music consort |
Mary’s music. W Edwards |
Chandos CHAN 0529
|
| 2 |
Sf* |
Shakespeare Globe Musicians & Actors |
The Food of Love; Music and words from Twelfth Night (2002) |
International Shakespeare Globe Centre
|
|
Sg |
St. George’s Canzona |
England be glad! Patriotic and heroic songs from the Crusades to The Civil wars. |
EMI CFP 40015 (LP)
|
| 98 |
Si |
Sirinu, Hugh Wilson |
All goodly sports: HENRY VIII The Complete music |
CHAN 0621
|
| 98 |
Sk |
Skeaping, Lucie & Roddy |
Let’s make Tudor music: 23 themed Classroom projects for key stage 2 Music. Teacher’s book and CD |
Stainer & Bell
|
| 4 |
Sq |
Les Sacqueboutiers |
The Cries of London 1599-1615 |
AMB Sound Arts 9965
|
| 0 |
St |
Stowe, Spring & Lindo |
Songs of William Shakespeare. |
Classical Communications 1006
|
|
T |
Toronto Consort |
O lusty May |
Dorian DOR 93172
|
| 99 |
Ta |
Taylor, Les Voix humaines, Stubbs (lute), 2 bass viols |
Sweet Love.. Byrd and Dowland (some titles adapted for this grouping countertenor, viols and lute) |
ATMA2207
|
|
Th |
Thodey, Robin (lute) |
DOWLAND Queen Elizabeth’s Galliard |
Thodey RLT CD3
|
|
Ti |
Tilney and Booth |
Go from my window: music for virginals |
Dorian 90195
|
| 9/93 |
To |
Toulon Musica Antiqua, S. Stubbs (lute); J. Elwes (tenor) |
Airs et danses au temps de Shakespeare |
Pier PV 787092
|
| 6 |
Tv |
Theatre of Voices; Fretwork |
The Cries of London |
Harmonia mundi HMU 907214
|
|
U |
Urrey & McFarlane |
O Mistress Mine: a collection of English lute songs |
Dorian 90136
|
|
W |
Wilson, Christopher & Rumsey, S |
Pavans and galliards by HOLBORNE and ROBINSON, lutes |
Naxos 8.553874
|
| 3 |
Wb |
Les Witches |
Bara Faustus’ Dreame: Mr Francis Tregian his choice |
Alpha 063
|
| 2 |
Wn |
|
Nobody’s jig: Mr. Playford’s English Dancing Master |
Alpha 502
|
| 96 |
Wt |
|
Fortune my foe: music of Shakespeare’s time |
Dorian DOR 93182
|
| 1 |
WE |
Kirkby, Roolley, Pears, Bream |
The world of Elizabethan music (1955, 1978). |
Decca 420170
|
| 4 |
WS |
Wadsworth; Sampson |
Robert JOHNSON Away delights |
Avie AV205393
|
|
YC |
York Waits |
The City Musicke: wind bands of the Renaissance 1550-1600 |
Brewhouse BHCD 9409
|
|
YF |
|
Fortune my foe |
Beautiful Jo BEJOCD 48
|
|
YM |
|
Music from the time of the Spanish Armada |
‡Saydisc SDL; [CSDL] 373
|
| 86/05 |
YP |
|
The Punk’s delight: popular music of the 17th century |
Hunt’s up CD 1
|
| 87 |
YR |
|
Music from the time of Richard III |
Saydisc SDL 364
|
| Adew Madame (attrib. Henry VIII) |
1003 |
Mt24 |
1’43 |
| a-down, a-down |
47 |
OL 11 |
|
| Ah Robin, round à 3 |
362 |
DO i 1 |
2’26 |
| All in a garden green (Gtahering pescods) |
15d |
*BroP18,** Mh 19 i |
*2’00, **c1’00 |
| All ye that love good fellows (Nancie, keyboard) |
221 |
Gt24 ii |
c1’00 |
| alman, allemande |
|
ChF 15 |
1’44 |
| And let me the cannakin clink |
247 |
DO i 2 |
0’16 |
| And will he not come again |
49 |
BroS 12, **DO i 3 |
*0’49, **1’02 |
| As I went to Walsingham, see Walsingham |
|
|
|
| Awake, awake, O England |
77 |
DO ii 1 |
0’48 |
| The Battle of Agincourt (set toFlying fame) |
55b |
DO ii 2 |
0’45 |
| The baffled knight |
176a |
*CwL 15, **WE20 |
*3’42, **3’29 |
| Barafaustus dream (Shephers’s joy) (also Byrd, Farnaby, Kete) |
201b |
Wb 13 |
3’22 |
| battaglia |
|
*CamS2, Lg2 |
*3’27 |
| Be merry |
63a |
DO i 4 |
0’29 |
| The beggar boy, country dance |
1405 |
Wn 13 ii |
c2.30 |
| bergamasca |
|
*BroS21, **Gt3 |
*0’58, **1’00 |
| Black spirits |
160 |
*DO i 5 |
1’25 |
| Blame not my lute |
1268 |
Mt 10 |
3’53 |
| Blew cap, country dance |
1406 |
CwL20 |
1’17 |
| Blow, blow thou winter wind |
16 |
DO i 6 |
1’22 |
| The boon companion |
386b |
BroP35 |
0’58 |
| Bonny sweet Robin (Sweet Robin; Bonny sweet boy) |
48 |
*BroS25, **DO i 7, ***Ec 11 i, ****Gt 18, *****MsE i 6, 16, Wt5 |
*2’19, **1’05, ***2’19, ****c2’00, *** 2’21*****1’37 |
| La Bounette |
52b |
Gt 29 |
2’29 |
| La Bourée (version of ‘Parson’s farewell’) |
712 |
BroP38 |
1’54 |
| branles |
228Eb |
*CwL6 |
*4’58 |
| Quatre branles |
|
BroP20, |
1’41 |
| The Bride’s goodmorrow |
288 |
DO ii 31 |
1’45 |
| Broom, the bonny, bonny broome |
390 |
DO ii 4 |
1’07 |
| Browning |
154d |
Wt 15 |
|
| But shall I go mourn |
404 |
DO i 8 |
0’33 |
| Calen o custare me (Callino) |
74 |
*BroP 10, **DO ii 5 |
*1’30, ** 1’16 |
| canaries |
|
B5 |
|
| Can’st thou not hit it |
146 |
DO i 9 |
0’31 |
| My Lady Carey’s dumpe (attrib. Aston) |
300b |
DL5, *EmH 18, **Mt7, OL5 *1’54, **2’21 |
|
| The carman’s whistle (also Byrd, John Johnson) |
60 |
*DO ii 6, **Mh23 |
*0’42, **1’51 |
| Chi passa per ‘sta strada (attrib.? |
|
*DO ii 7. **OH9 |
*0’49,**1’04 |
| The chirping of the lark |
39b |
CwL25 i |
1’04 |
| Cinquepace galliard, see Sinkapace |
|
|
|
| Come away, come away death |
354 |
DO i 10 |
1’21 |
| Come away Hecate |
158b |
DO i 11 |
0’20 |
| Come kiss me Kate, round |
283 |
DO ii 8 |
0’26 |
| Come live with me |
180a |
*BroP 11, **BroS26, ***CamS3, ****DO i 12, *****Gt 17 |
*1’15, **2’44, ***3’30, ****1’5, *****2’44 |
| Come o’er the burn |
135 |
DO i 13 |
0’17 |
| Come thou monarch, version 1, round |
10h |
DO ii 9 |
0’47 |
| version 2, round |
10h |
DO i 14 |
0’47 |
| Come unto these yellow sands |
298 |
DO i 15 |
0’39 |
| King Cophetua |
67d |
DO ii 33 |
0’51 |
| La coranto |
|
B7-8, *BroS33, **MsE ii 12 |
*1’46, **1’30 |
| The Cry of London (see also Gibbons) |
130a? |
Sq 11 |
3’20 |
| Cuckolds all a row |
699 |
BroP6 |
0’56 |
| A Cup of wine, round, version 1, round |
64 |
DO ii 10 |
0’31 |
| version 2, round |
110? |
DO i 16 |
0’25 |
| Damon and Pithias |
42 |
DO ii 11 |
1’07 |
| Daphne, country dance (see also Farnaby) |
191d |
DO ii 12, Wn4 |
1’05 |
| Diana, version 1 |
120c |
DO ii 13 i |
c015 |
| version 2 |
120c |
DO ii 13 ii |
c016 |
| a division on a ground |
|
Wn 14 |
|
| La doune cella (La damoiselle) |
716 |
Gt 11 |
1’16 |
| Drive the cold winter away |
129 |
Wn 13 i |
c3’00 |
| Dulcina, country dance (see also Brade) |
22d |
G24 |
|
| song |
22d |
DO ii 14 |
0’42 |
| a dump |
|
Lo8 |
|
| Prince Edward’s pavane (Pavane d’Angleterre) |
1273 |
Mt21 |
2’21 |
| Sir Eglamore, tune set to ? |
368 |
DO ii 15 |
0’26 |
| Eighty eight, set to Hanskin? |
189 |
DO ii 16 |
0’31 |
| En vrai amoure (attrib. Henry VIII) |
96 |
Mt 12 |
1’39 |
| My Lord of Essex measure (Tintelore d’Angleterre) |
1130 |
B9, *BroS30 |
*1’57 |
| Farewell, dear heart |
352 |
DO i 17 |
0’50 |
| Fathers that wear rags |
125 |
DO i 18 |
0’27 |
| Fear no more the heat of the sun |
32 |
DO i 19 |
2’55 |
| Fie on sinful fantasy |
188 |
DO i 20 |
0’42 |
| Fill the cup. round |
65 |
DO i 21 |
0’21 |
| Flout ‘em and cout ‘em, round |
306 |
DO i 22 |
0‘19 |
| Fools had ne’er less grace |
120 |
DO i 23 |
0’16 |
| For I’ll cut my green coat |
381 |
DO i 24 |
1’21 |
| Fortune my foe, ballad tune (see also composer list) |
182 |
*BroP 15, **BroS29, ***DO ii 17, ****Gt23, *****MsE i 14, Wt3 |
*3’50, **3’01, ***0’48, ****2’58, *****5’47 |
| The French lavolto |
1531 |
B 11 |
|
| The friar and the nun |
296a |
DO i 25 |
0’30 |
| Full fathom five |
299 |
*BroS 1, **DO i 26 |
*1’50, **1’53 |
| galliards |
|
L 19, Q 1 ii, iv |
c2’00 |
| La gamba, galliard |
1116 |
G8 ii, *Mt9 |
0’59 |
| Gentil Prince, 3 shawms |
|
add |
Mt 11 |
| The George Alow, version 1 |
382 |
DO i 27 |
0’37 |
| version 2 |
382 |
DO ii 18 |
0’22 |
| Get you hence |
413 |
DO i 28 |
1’05 |
| The glass doth run |
247a |
DO ii 19 |
0’36 |
| Go from my window (see also many settings) |
354f |
*BroP 25, **DO ii 21, ***Wb 1, Wt 11 |
*2’50, **0’30, ***1’13 |
| The god of love |
241 |
DO i 29 |
1’21 |
| Goddesses, see Quodling’s delight |
|
|
|
| Gray’s Inn masque dances, see also Title index |
|
BroP5 |
1’40 |
| Green garters, country dance |
698 |
MsE i 13 |
2’38 |
| Greensleeves, version 1 |
178 |
*DO ii 22, **Ec6, ***Gt 13, ****N 1 i, *****WE9 |
*1’26, **5,39, ***3’59, ****c2’00, *****4’37 |
| version 2 attrib John Johnson? |
|
MsE i 23 |
4’37 |
| version 3 (Scottish source) |
|
BroP 14 |
1’42 |
| Greensleeves to a ground |
|
*EmH24, **Gt 13, ***N 1, P 14 |
*4’27, **3’50, ***c1’25, |
| Grimstock, country dance (see also Praetorius) |
184 |
MsE i 24 |
1’29 |
| A ground |
|
OH21 |
4’00 |
| Guy of Warwick |
116 |
DO ii 23 |
0’53 |
| Halfe Hannikin |
405b |
CwL 14 iii |
c1’50 |
| Hark, hark the lark |
30 |
DO i 30 |
1’30 |
| King Harry VIII pavan and galliard |
95 |
*EmH 15, **Mt 13 |
*2’21, **1’49 |
| Have I caught my heavenly jewel |
181 |
DO i 31 |
0’18 |
| Heart’s Ease |
281b |
B 14, **DO i 32 ***Ec22, ****Sf9 |
**0’35, ***2’47. |
| Heaven and earth |
1273 |
*DoH6, L6, Sf 10 |
*2’30 |
| Hem boys, up we go, version 1 |
699A |
DO ii 24 |
1’12 |
| version 2 |
|
|
|
| Hey ho for a husband, version 1 |
? |
DO ii 25 i |
c 0’70 |
| version 2 |
DO ii 25 ii |
c0’63 |
|
| Hobbyhorse |
70a |
DO ii 26 |
0’27 |
| Hold thy peace, knave, round, version 1 |
346a |
DO ii 27 i |
0’25 |
| version 2 |
346b |
DO i 33 |
0’26 |
| version 3 |
346c |
DO ii 27 ii |
c0’27 |
| Honour, riches |
331 |
DO i 34 |
1’09 |
| How should I your true love know (Walsingham) |
44 |
*BroS 10, **CamS 17, M 17 |
*1’14, **1’52 |
| Hugh Aston’s masque |
742 |
Hc6 |
3’53 |
| Hunt’s up |
18 |
DO ii 28 |
0.15 |
| I am gone sir |
363 |
DO i 35 |
1’09 |
| I cannot come every day to woo, version 1 |
247e |
DO ii 29 i |
c0’60 |
|
2 |
DO ii 29 ii |
c0’65 |
| I cannot keep my wife at home |
add? |
OH 1 |
1’09 |
| I loathe that I did love |
50b |
*BroS24, **DO i 36 |
*3’18, ** 1’27 |
| In Crete |
211 |
DO ii 30 |
0’31 |
| In nomine à 3 |
|
?12 |
|
| In pescod time |
55a |
DO ii 31 |
0’17 |
| In youth when I did love |
50 |
BroS 13 |
0’49 |
| Irish dance |
955 |
Hc 18 |
0’46 |
| Irish jigge |
409 |
EmH 16 |
2’00 |
| Italian rant |
1543 |
Wn9 |
|
| Jack boy, round |
194a |
DO ii 32 |
0’39 |
| Jack Pudding, country dance (Step stately) |
706 |
BroP41 |
0’52 |
| Jenny plucked pears |
36 |
CwL 14 ii |
1’50 |
| Jepha (Jephthah) |
36 |
DO i 38 |
0’52 |
| Jog on, country dance |
64e |
*BroP13, **BroS 17 |
*1’12, **0’56 |
| John come kiss me now (see also Byrd. Ortiz, Ravenscroft) |
106b |
*N 10, **OH5 |
*4’46, **3’47 |
| Jolly shepherd, round a 3 |
386j |
DO i 40 |
0’37 |
| Jouyssance vous donneray (after Sermisy) |
499 |
EmH 1 |
3’24 |
| Kemp’s jig, lute |
70a |
*BroS 19, **Ec 12, ***Mh 19 ii, Wt6 ii |
1’12, **2’07. *** c1’00 |
| Kettle drum |
add! |
BroP27, 28 |
0’24, 0’51 |
| King …, see under name, Cophetua, Harry, Solomon |
|
|
|
| Lady lie near me |
698 |
CwB21 |
1’31 |
| Lawn as white as driven snow |
412 |
DO i 45 |
1’15 |
| King Lear ?? |
|
DO ii 34 |
0’34 |
| Light o’ love |
236 |
*BroP 12, **DO ii 36 |
*1’58, **0’42 |
| Lillibulero (The farmer’s cursed wife) |
59b |
CwL22 |
*4’38 |
| Loath to depart, version 1 |
28b |
DO ii 37 i |
c0’60 |
| version 2 |
|
DO ii 37 ii |
c0’67 |
| Love, love, nothing but love, version 1 (set to Eglamore) |
|
|
|
| version 2 (set to Good shepherd Sorrow) |
333a |
*DO i 43, **Ec21 *0’50, **0’41 |
|
| Lustie gallant |
64d |
OH20 |
1’16 |
| Mall Synes (also settings by) Bacheler, Farnaby, Sweelinck) |
77 |
OH24 |
6’35 |
| Martyn said to his man, freeman’s song à 3 |
821 |
*Mh22, **WE 19 |
*3’07, **1’43 |
| Queen Mary’s Dumpe (Variations attrib. Aston) |
281c |
BroS22 |
1’45 |
| Master, Swabber, version 1 |
304 |
DO ii 39 |
0’46 |
| version 2 |
|
DO i 44 |
1’17 |
| measure |
|
|
|
| Merry, merry milkmaids, country dance |
47b |
*BroP7, **CwL 10 |
*1’42, **2’05 |
| Millison’s jig |
367 |
Sf22 |
|
| Monsieur’s alman, see Mounsieur’s almaine (also Bachelar, Byrd, Holborne, Morley) |
|
|
|
| Moorland Willie |
1408 |
Wt25 |
|
| Mother Watkins’ ale, see Watkin’s ale |
|
|
|
| Mounsieur’s almaine |
256a ii |
*DO ii 41, **MsE ii 15 |
*0’50. **2’17 |
| My mind to me |
87 |
DO ii 42 |
0’45 |
| The New Exchange (version of ‘Go from my window’) |
354f |
BroP26 |
1’08 |
| The Night peece (second tune ‘The shaking of the sheets’) |
414d |
B15 |
|
| No more dams |
305 |
DO i 45 |
0’26 |
| Nobody’s jig |
355b |
Wn 1 |
|
| Northern lass’s lamentation (The oak and the ash) |
193 |
CwL 12 |
2’56 |
| Nutmegs (Of all the birds) |
73 |
DO ii 43 |
0’41 |
| Nutmegs and ginger |
70a |
L8, MsE i 1 |
1’28 |
| O death, rock me asleep, version 1 |
56a |
*CamS 10, **DO ii 45 i, |
*6’23, **c1’70 |
| version 2 |
|
*DO ii 45 ii, **EmH20, ***MsE i 18 |
*c1’53 **2’26, ***4’32 |
| O mistress mine, version 1 (also Byrd, Morley) |
344 |
*BroS3, **DO i 47 |
1’29, **1’19 |
| version 2 |
|
*DO ii 47, **EmH ii 27, 28 |
*1’20. **2’00, 1’03 |
| O sweet Oliver (Hunt’s up) |
18 |
*BroS 15, **DO i 49 |
*0’58, **0’21 |
| O’ the twelfth day of December |
351 |
DO ii 48 |
0’30 |
| An old hare hoar, version 1 |
?276 |
DO i 46 |
0’17 |
| version 2 |
?276e |
DO ii 46 |
0’17 |
| My Lord of Oxenford’s maske (?Byrd) |
219b |
MsE ii 29 |
*1’55 |
| Oyser pie |
297 |
DO ii 49 |
|
| Packington’s pound |
303b |
*BroP 16, **MsE i 5 |
*2’11, **3’08 |
| Pardon goddess of the night |
244 |
DO i 50 |
0’48 |
| Parson’s farewell, country dance (version of La Bourrée) |
712 |
*BroP42, **CwL25 ii |
*1’36, **1’10 |
| passamezzo antico |
|
B4 |
|
| passymeasures pavane (passamezzo pavane) |
|
*BroP40, **BroS200, ***Gt6 |
*1’00, **1’43, ***1’44 |
| La Pastorella |
1457 |
EmH 13 |
1’32 |
| Paul’s steeple |
1404 |
F15, *Wn5 |
3’17 |
| Paul’s wharfe (also Farnaby; Brade as ‘Scottish dance’)1399 |
|
*BroP3, **CwL 16, ***Mh 16 |
*2’46, **2’01, ***1’52 |
| pavane and galliard |
|
Hs24-25 |
2’01, 1’13 |
| Pavyn of Albart and Galliard, consort à 7 |
424 |
Mt25-6 |
1’37, 1’25 |
| Peg a Ramsey (also Bull), version 1 |
348 |
DO ii 50 i |
c0’25 |
|
version 2 |
DO ii 50 ii |
c0’20 |
| Phyllida, version 1 |
196 |
DO ii 51 i |
c0’45 |
|
version 2 |
DO ii 51 ii |
c0’45 |
|
version 3 |
DO ii 51 iii |
c0’49 |
| Please one and pleae all |
359 |
DO ii 52 |
c0’36 |
| The poor soul sat sighing, see Willow song |
|
|
|
| Pyramus |
212 |
DO ii 53 |
c0’52 |
| The Quarter brawles |
|
Mh8 |
2’16 |
| Queen Dido, version 1 |
37 i |
DO ii 54 i |
c0’50 |
| version 2 |
37 ii |
DO ii 54 ii |
c0’53 |
| The Queen’s masque |
10e |
B16, **Hc 14 |
**1’02 |
| Quodling’s delight (Goddesses) |
193 |
DO ii 20 |
0’31 |
| Rich Jew |
166c |
DO ii 56 |
0’34 |
| Robin, lute |
|
N2 |
2’01 |
| Robin Goodfellow |
22d |
DO ii 57 |
0’27 |
| Robin Hood |
347b? |
DO ii 58 |
0’39 |
| Robin is to the greenwood gone |
48a |
*BaB8, **DoH3, ***Ec 11 iii, L3, ****MsE i 11, Wt4 |
*3’17, **3’01, ****c1’50 |
| Rogero |
120c |
DO ii 59 |
0’38 |
| Romanesca, variations, lute |
215e |
EmH31 |
2’31 |
| Roses, their sharp spines being gone |
379 |
DO i 51 |
1’15 |
| Rowland (see Kemp’s jig, and Willoughby’s welcome) |
|
|
|
| Rufty Tufty, morris dance |
1194 |
Mh25 ii |
c1’00 |
| Scotch cap, country dance |
1407 |
BaB6 |
1’56 |
| Scottish jig |
223a |
BroS7 |
0’53 |
| Sedany (Donkin Dargeson), country dance |
176c |
B17 |
|
| Sellenger’s round |
188d |
B13, **BroS6, ***DO ii 61, ****Gt 1, *****Mh20,******OL7 |
*1’56, ***0’30, ****1’57, *****1’30, ******1’59 |
| Shepherd’s holiday (Labour in vain), country dance |
1455 |
Wn7 |
|
| Shepherd’s joy, see Barafaustus dream |
|
|
|
| Shore’s wife, version 1 |
27 i |
DO ii 62 i |
c0’50 |
| version 2 |
|
DO ii 62 ii |
c0’57 |
| Short mesure of Lady Wynkfylds Rownde |
1377 |
*EmH 17, **Mt3 |
*1’15, **1’53 |
| Sick, sick, version 1 |
235a |
DO ii 63 i |
c0’70 |
| version 2 |
|
DO ii 63 ii |
c0’70 |
| version 3 |
|
DO ii 63 iii |
c0’68 |
| Sigh no more ladies, set to ‘Lusty gallant’ |
230 |
DO i 52 |
1’23 |
| Sinkapace galliard |
888 |
BroS32 |
1’09 |
| King Solomon |
350a |
DO ii 35 |
0’31 |
| Some men for sudden joy did weep, version 1 |
121f |
DO i 53 |
0’20 |
| version 2, round |
121f |
DO ii 64 |
0’38 |
| The Duke of Somerset’s dumpe |
add? |
OL4 |
2’19 |
| Souch’s march |
225a |
CamQ 10 |
2’07 |
| Spagnoletta (also Farnaby, Praetorius, Zanetti) |
1341 |
B6 |
|
| Spanish pavan |
142a |
*Gt8 i, **OH3 |
* c2’00, **2’39 |
| Staines morris |
276c |
B18,*BroS9, **Gt21, ***Mh2, ****Wh10 |
*1’57, **2’05, ***4’20 |
| King Stephen was a worthy peer |
248 |
DO i 41 |
1’15 |
| Stingo, country dance |
196 |
D 19, **MsE i 4, Wn2 |
**1’57 |
| Sweet England’s pride is gone |
36a |
CamQ1 |
2’50 |
| Sweet Robin, see Bonny sweet Robin |
|
|
|
| Take, o take those lips away, (set to When griping griefs) |
165 |
DO i 54 |
0’44 |
| Tell me where is fancy bred |
170 |
DO i 55 |
1’11 |
| That which serves (Peg a Ramsey) |
126 |
DO i 56 |
0’21 |
| There dwelt a man in Babylon, version 1 |
350 |
B27, *DO i 57, **Gt 15 *0’34, **3’38 |
|
| version 2 |
|
*BroS27, DO ii 65 |
*3’38, **0’49 |
| There was three fools (The one he said he was an owl) |
615 |
DO i 58 |
0’32 |
| Three merry men, round |
348 |
DO i 59 |
0’39 |
| Three ravens |
615 |
CwL7 |
2’57 |
| Tintelore d’Angleterre, see (My Lord of) Essex measure |
|
|
|
| Titus Andronicus’ complaint |
182 |
DO ii 66 |
0’41 |
| Tom a Bedlam, version 1 |
130 |
DO ii 67 i |
c1.20 |
| version 2 |
|
DO ii 67 ii |
c1’17 |
| Tomorrow is St. Valentine’s day |
46 |
*BroS 11, **CamS 19, |
*1’01, **3’18 |
|
|
DO i 60 |
1’04 |
| Tomorrow the fox will come to town |
1498 |
B3, **CwL8 |
**2’30 |
| Tordiglione (Turkeylone) |
191c |
BroL3 |
|
| Tower Hill, jig |
109e |
BroP4 |
0’44 |
| A Toye |
|
Le ii 4 |
1’09 |
| La Traditore, mi fa morire, galliard |
372 |
EmH3 |
2’09 |
| TrenchmoreTrowmpettus, keyboard |
1498? |
*Hc2, 4, **OH23 |
*0’34, 31, **2’56 |
| Troilus |
242 |
DO ii 68 |
0’33 |
| Troy Town |
27 i |
DO ii 69 |
0’28 |
| Under the greenwood tree |
15 |
DO i 61 |
1’24 |
| Up and down, round |
204 |
DO i 62 |
0’31 |
| Up tails all |
215g |
OH2 |
2’05 |
| Urns and odours bring away |
377 |
DO i 63 |
0’56 |
| Walsingham (‘As I went to Walsinghham’) |
44 |
*DO i 64,** Mh24 |
*1’25, **1’59 |
| Was this fair face |
2 |
DO i 65 |
0’54 |
| Watkin’s ale |
63d |
*CwB23, ** MsE i 2 |
*3’41, **1’25 |
| We be soldiers three |
413b |
CwL5 |
1’26 |
| Wedding is great Juno’s crown |
22 |
DO i 66 |
0’34 |
| Welladay |
36a |
DO ii 70 |
0’37 |
| What shall he hath that killed the deer. round |
18 |
DO i 67 |
1’06 |
| When Athur first at court |
55 |
DO i 68 |
0’14 |
| When daffodils begin to peer |
403 |
*BroS 16, **DO i 69 |
*0’51, **1’05 |
| When daisies pied |
154 |
DO i 70 |
2’00 |
| When icicles hang by the wall |
155 |
DO i 72 |
1’31 |
| When that I was a little tiny boy, version 1 |
366 |
*BroS 18, **DO i 73, F20 |
*1’36 , **1’40 |
| (version 2 by John Vernon is dated 1772) |
|
|
|
| Whenas we sat in Babylon |
180c |
DO ii 71 |
0’49 |
| Where is the life that late I led |
281b |
DO ii 72 |
0’51 |
| While you here do snoring lie |
302a |
DO i 75 |
0’18 |
| Who is Sylvia |
370 |
DO i 76 |
1’30 |
| Whoop |
410 |
DO ii 73 |
0’23 |
| Why let the stricken deer |
41 |
DO i 77 |
0’22 |
| (If care do cause) |
41b |
DO ii 74 |
0’22 |
| Will you buy a fine dog |
409b |
DO ii 76 |
1’13 |
| Will you buy any tape |
414 |
DO i 79 |
0’26 |
| My Lord Willoughby’s welcome home (Rowland) |
203a |
*DO ii 60, M21 |
0’31 |
| Willow, willow, version 1 |
251 |
DO i 78 |
0’59 |
| version 2 |
251a |
DO ii 75 |
0’58 |
| Willow song (The poor soul sat sighing) |
251 |
*BroS4, **CamS5, ***Ec 14, ****Gt25, M5, ******MsE i 21 |
*3’44, **5’40 . ***5’17, ****3’43. ******5’42 |
| Wilson’s wilde (Wolsey’s wild) |
9b |
*Mh3, **MsE i 7 |
*3’10, **1’11 |
| With a fading |
409a |
DO ii 77 |
0’20 |
| Woodycock (Wooselcock) |
203b |
B 19, *BroP8, **BroS 14, ***DO i 80, ****Wn 15 |
*1’58, **1’56, ***0’40, ***5’31 |
| My Lady Wynkfylds Rownde, see Short mesure |
|
|
|
| You spotted snakes |
201 |
DO i 81 |
2’01 |
