INDEX OF WORKS BY NAMED COMPOSERS (or arrangers) of music current in Shakespeare’s time
Compilers of anthologies are not here distinguished from composers, so that, for instance, settings of popular tunes for 4 or 5 part consort can reasonably be considered their own compositions, reflecting John Cutts (CU194) reference to the important contribution to this repertory in the form of keyboard pieces by Giles Farnaby where he notes that some attributed works may be as arranger rather than composer. Titles of works which show the status or rank of a person are listed under family name, e.g. DOWLAND ‘My Lady Hunsden’s Puffe’ under letter H in the list of works by that composer. Where more than one reference is given, full bibliographical detail together with musical incipit will be found under the serial numbers between 1 and 417, otherwise under the number printed in bold.
Q
R
| RAVENSCROFT, | All into service, à 3 Rp4, 12 | 51, 52c |
| Thomas c1582-c1635 | As it fell on holie day, freeman song, à 3 Rd 1 | 247e, 817 |
| [Rb, Rd, Rm, Rp, see Key] | Blow thy horn thou jolly hunter, à 4 Rp57 | 943 |
| Brooms for old shoes, à 4 Rm7 | 1324 | |
| Browning Madam, catch à 3 Rd9 | 154d | |
| By a banke as I lay, freeman song à 4 Rd19 | 308c, 822 | |
| By hills and by dales, catch à 4 Rd29 | 614 | |
| Come follow me merrily my mates, round à 5 Rp75 | 143e, 620 | |
| Elves’ dance, à 4 Rb9 (Bennett) | 196 ii | |
| Fairies’ dance, à 4 Rb6 (Robert Johnson) Rb6 | 194a | |
| The Great bell of Osney, freeman song, à 3 Rd 14 | 818 | |
| He that will an alehouse keep, round à 3 Rm 15 | 749 | |
| Hey downe a downe, catch à 3 Rp28/13, à 4 Rd31 | 612-3 | |
| Hey ho to the greenwood, canon à 3 (attrib. Byrd) Rp 1 | 908 | |
| Holde thy peace, knave, catch à 3 Rd10 | 294b, 345a, 819 | |
| A Hunt’s up, à 4 (Bennett) Rb1 | 302a, 940 | |
| I cannot come every day to woo (‘I have a house and land in Kent’) Rm22, see A wooing song of a yeoman of Kent’s son | ||
| Jack boy! Ho boy!, canon à 4 Rp56 | 294a | |
| Jenkin the jester, catch à 5 Rp84 | 622, 631 | |
| Joan come kiss me now, à 3 Rp22 | 106b | |
| Joan quoth John | 287a | |
| Jolly Shepherd à 3 Rp31 | 136b | |
| Loth to depart. See Sing with thy mouth | ||
| Malt’s come down, à 3 Rd 15 | 10h. 750 | |
| Martin said to his man, freeman song, à 4 Rd 16 | 821 | |
| Now Robin lend me thy bow, à 4 Rp63 | 68d, 215d | |
| Of all the birds, à 3 (Bartlett) Rd7 | 154b, 155b, 363 | |
| Robin Hood, Robin Hood, said Little John, à 4 Rp74 | 347b | |
| Satyr’s dance, à 4 Rb7 (Robert Johnson) | 11, 415a, 1150 | |
| Sing after fellows, see ‘Robin Hood’ | ||
| Sing with thy mouth…Loth to depart, round à 4 | 24a, 28a, 167a | |
| Tell me John | 76b | |
| There were three ravens, catch à 4 Rm20 | 559, 615 | |
| Three blind mice, canon à 3 Rd13 | 611 | |
| Tomorrow the fox will come to town, à 4 Rd20 | 823, 944, 1498 | |
| Tosse the pot, à 4 Rb11 | 247g | |
| Trole, trole the bole, à 4 Rp62 | 247f | |
| Urchin’s dance, à 4 (Pearce) Rb8 | 191b, 184c | |
| Ut, re, mi, re, ut, à 4 Rp71 | 619, 1525 | |
| Ut, re, mi, fa, sol, la, Hey downe, downe, à 4 Rd23 | 618, 1526 | |
| Ut, re, mi, fa, sol, la, Hey downe, downe sing you, à 5 Rp86 | 617, 1525 | |
| Wee be souldiers three, freeman song à 3 Rd3 | 413b, 82 | |
| We be three poore mariners, freeman song à 3 Rd6 | 23c, 1428 | |
| Willie prithie go to bed à 4 Rd21 | 1498 | |
| A wooing song of a Yeoman of Kent’s son, Rm22 | 287b | |
| Yonder comes a courteous knight, à 4 Rd22 | 66e, 824, 12-4 | |
| RICHARDSON, | Pavane and galliard, The Battell (also attrib. to Bull) | 536-7 |
| Ferdinando c1558-1618 |
| ROBINSON, Thomas | [Schoole of Musicke: 33 lute solos and 5 duets, 1603] | ||
| fl 1589-1609 | 31 | Bony sweet boy, lute | 48a |
| 9 | Fantasia, 2 lutes | 784 | |
| 11 | Galliard in G, lute | 886 | |
| (16, 28), 29, 32 | Gigues, lute | 969-974 | |
| 14 | Goe from my window, lute | 354f | |
| 8 | Passamezzo galyard, 2 lutes | 1076 | |
| 6 | A Plaine Song, 2 lutes | 1075 | |
| 23 | The Queenes Gigge, lute | 975 | |
| 1 | The Queen’s Goodnight, 2 lutes | 109d, 900, 1073 | |
| 21 | Robin is to the greenwood gone, lute | 48 | |
| Robinson’s May, lute | 1058 | ||
| 16 | Rosasolis, (here, untitled Gigue), lute | 971, 989 | |
| 3 | Row well, ye mariners | 403b, 1053 | |
| 27 | Spanish pavane | 142a | |
| 10 | A Toy, lute duet | 1077 | |
| 15, 19, 20, 22 | Toys, lute solo | 1491-4 | |
| 2 | Twenty waies upon the bells, lute duet | 542, 1074 | |
| 24 | Ut re mi fa sol la nine sundry ways, lute | 1522 | |
| 25 | My Lord Willobies welcome home | 203a |
| ROSSETER, Philip | And would you see my mistress’ face, lute song | 32b |
| 1567/8-1623 | Galliard, lute (also set by Farnaby F 195) | 857 |
| Lessons for consort | 606 | |
| Masque music (Lupo, arr. Rosseter) | 1165-6 | |
| Now is the month of maying (Morley arr. Rosseter) | 1173 | |
| What is a day, what is a year, lute song | 1113 | |
| What then is love but mourning, lute song | 1114 | |
| When Laura smiles, lute song | 1115 |
S
| SCHEIDT, Samuel | Cantilena Anglica Fortunae, consort | 115b |
| 1587-1654 | Canzon ad imitationem Bergamaska angl. à 5 | 546 |
| Galliard Battaglia | 537B | |
| O nachbar Roland à 5, variations | 203a | |
| Paduana hispanica | 142a | |
| SCHOP, Johann | The noble man, masque dance à 3 (R. Johnson, arr.) | 1141 |
| 1590-1667 | Lachrymae pavan (after Dowland) | 31a |
| Pavaen de Spagne | 142a | |
| SENFL, Ludwig | Tandernaken à 4 | 97 |
| 1490-1543 | ||
| SERMISY, Claudin | Dont vient cela, chanson à 4 | 500 |
| de c1490-1562 | La Jouyssance vous donneray, chanson à 4 | 499a |
| SIMPSON, Thomas | [Taffel-Consort à 4 + bc, Hamburg, 1621] | |
| 1582-1625 | 20. Alman à 4 + bc | 474 |
| 19. Aria (related to Dowland’ Lady if you so spite me’) à 4 + bc | 1094 | |
| 10. Aria (Dowland ‘Were every thought an eye’) à 4 + bc | 1101 | |
| 29. Bonny sweet Robin, ricercar | 45a | |
| 37. Male content, consort à 4 + bc | 640, 1030 | |
| 31. Mascarada | ||
| 24. Satyrs’ dance, consort à 4 + bc (attrib. Robert Johnson) | 11, 415a | |
| 11, 39. voltes, consort à 4 | 1537-8 | |
| 23. Volte de tambour | 1447, 1536 | |
| STONINGS, Henry | Browning my dear (Leaves be green) à 5 | 154d, 155c |
| fl. c 1600 | ||
| STROGERS, Nicolas | A doleful deadly pang, consort song | (214), 1018 |
| fl 1560-1575 | Fantasia, virginals | 16c, 787, 1201 |
| Pandolpho.‘Pour down, you pow’rs divine.’ Consort song | ||
| (also attrib. Parsons) | 807 | |
| Pavane, lute; arr. 2 mandolins and piano | 1531c | |
| SUMARTE, Richard | Whoop, do me no harm | 124, 204e, 410 |
| (SMART) 1577-after 1630 | ||
| SUSATO, Tielman | [Het derde musycke boexken: Danserye à 4. Antwerp, 1551] | |
| 1510/15-1570 or later | Allemandes | 424, 726 |
| La bataille, pavan (after Jannequin) | 510, 1237 | |
| bergerettes; sse also Sans roche | 1450-2 | |
| (Parade des) Buffons | 106b | |
| Danse du Roy | 725 | |
| Dans de Hercule oft maticine, branle | 106b, 566 | |
| Danses du berger (Sans roch) | 1450-1 | |
| Dont vient cela, basse danse and reprise (after Sermisy chanson) | 500 | |
| Hoboecken, brawl | 568 | |
| Il estoit une filette, ronde | 1381 | |
| Le joli bois, reprise | 911 | |
| Mille regrets, pavan | 1235, 1359 | |
| Mon amy, ronde | 1380 | |
| Mon désir, basse danse | 703 | |
| La Mourisque | 1186 | |
| Parade des Buffons | 106b | |
| Pass e medio, pavan and reprie, Le pinque | 1218-9 | |
| Pourquoy, ronde and reprise | 1378-9 | |
| Quarter (Quatres) branles | 325b, 567 | |
| La Roque, basse danse | 501 | |
| Rondes no 6, no 9 (untitled) | 1382-3 | |
| (Ronde no 6 in triple time) and Saltarelle | 849, (1384), 1390 | |
| Sans roche, bergerette and reprise | 1450-1 | |
| Si pas souffrir, pavan | 1239 | |
| SWEELINCK, Jan Pieterzsoon | Ballo del granduca | 1541 |
| 1562-1621 | Courante de Mars, keyboard | 827, 1130 |
| Englyske fortuyn, keyboard | 182 | |
| Kemp’s Morris, variatons on a theme of Farnaby | 39b | |
| Malle Sijmen, keyboard variations | 312d | |
| Onder een Linde groene (All in a garden green) | 15d | |
| Pavana hispanica | 142a | |
| Pavana Lachrymae | 31a | |
| Pavana Philippi | 1291 | |
| Poolsche dans (after Hausmann) | 1331 | |
| Ut re mi fa sol la, à 4 | 1519 | |
| Variations on a theme by Farnaby (Kemp’s morris’) | 391 |
T
| TALLIS, Thomas | Dorian service: Te Deum à 4 | 76b ii |
| 1505-1585 | Jam lucis orto sidere, hymn verse, keyboard | 1353 |
| O ye tender babes, keyboard | 13 | |
| [Te Deum à 5] Gloria Patri | 107b | |
| Venite and Te Deum à 4 | 76 ii b | |
| TAVERNER, John | Western wind à 2 | 31b |
| c1490-1545 | ||
| TAYLOR, Mr [John?] | Pavan and galliard | 1281-2 |
| fl. 1557-68 | ||
| THOMAS, Stephen | Allemaine (attrib. to R. Bateman) | 102 |
| fl. 1621 | ||
| TISDALE, William | Clement Cotton, pavane | 1247 |
| b1570. | Fantasia, keyboard | 29c, 788 |
| Pavana | 1246 | |
| TOMKINS, Thomas | Barafostas Dream | 1454 |
| 1572-1656 | Musica divina à 6 | 646 |
| Pavan, consort à 5 | 151e, 1248 | |
| Worster brawls | 603 | |
| TORRE, Francisco | Alta ‘La Spagna’ à 3 | 506 |
| de la. fl.1483-1504 | ||
| TURBERVILLE, | The death of a Bucke | 145, 938 |
| George. fl. 1576 | horn call notations | 934-7 |
| Old French hunting fanfare | 323, 939 | |
| TYE, Christopher | In nomine XI à 5 Hould fast | |
| c1505-c1572 |
U
V
| VALLET, Nicolas | Les secrets des muses (Secretum musarum), lute 1615 | |
| c1583-after 1642 | La battaille | 537A |
| Brandt yrland | 225a | |
| Carillon du village | 541A | |
| Chanson anglais (Barafoster’s Dream) | 201b | |
| Courante de la Complainte | 689A | |
| Ecossaise | 1424A | |
| L’Espagnolle | 1471A | |
| Est-ce Mars (also attrib. Guédron) | 827, 1130 | |
| Fortune angloise, (Allemande Fortune hélas pour quoi), lute | 182 | |
| Galliarde angloise and Reprinse | 245a | |
| Galliarde du Compte Essex | 353c | |
| Mall Sims | 332d | |
| La Marinière | 1431A | |
| La Mouresque | 1196 | |
| Onder der Lindengröne | 15d | |
| Les Pantalons | 549 | |
| Pavagne d’Espagne no.1; no. 2 (en forme de complaint), lute | 203a | |
| La Sarabande espagnole | 1050 | |
| Soet Robert, lute | 203a |
W
| WARD, John | Woodycock (F141; once attributed to Farnaby) | 203b, 710 |
| 1571-1638 | ||
| WEELKES, Thomas | The Ape, the monkey and the baboon, ayre à 3 | 481, 1171 |
| 1576-1623 | Come sirrah Jack ho…Fill the pipe once more, ayre à 3 | 1501 |
| Hark, all ye lovely saints above | 917 | |
| In nomine, consort | 159 | |
| In pride of May, madrigal | 1177 | |
| New oysters, (Street cries of London) | 1473 | |
| Of all jolly pastimes…they cry bow-wow | 482 | |
| Since Robin Hood…the hobby horse was quite forgot | 39a, 1197 | |
| Strike it up, tabor, ayre à 3 | 1170 | |
| To shorten winters sadness, à 5 | 643, 918 | |
| WHITFELDE, John | The English huntsuppe, lute | 1, 18, 948 |
| 1588-1616 | ||
| WHYTHORNE, | Buy new broome, consort song | 1473A |
| Thomas. 1528-96 | ||
| WIGTHORPE, William | Come hither (Rowland), consort à 5 | 203a |
| c1570-1610? | Sorrow come, lend true repentant tears | 10830 |
| WILBYE, John | Frogg galliard, variations | 188b |
| 1574-1638 | Ne reminiscaris, anthem, voice and viols | 489 |
| Oft have I vowed à 5 | 645 | |
| WILSON, John (=?Jacke) | [Cheerful ayres; many songs also attributed to Robert Johnson, q.v.] | |
| 1595-1674/5 | Come thou father of the spring | 10b |
| Full fathom five (now attrib. Johnson) | 299 | |
| Hark, hark the lark (now attrib. Johnson) | 30 | |
| Lawn as white as driven snow à 4 (now attrib. Johnson) | 412a | |
| Sigh no more ladies (Cutts: wrongly attrib.) | 230d | |
| Take, o take (attrib.) c1610 | 165 | |
| Where the bee sucks (now attrib. Johnson) | 316 | |
| WOODCOCKE, Clement | Browning my dere à 5 (Leaves be green) | 154d, 155c, 916 |
| c1540-89 | Hackney, consort à 5 | 639 |
X
Y
Z
| ZANETTI, Gasparo | Aria del Gran Duca Fernando di Toscana | 1541 |
| fl. 1626-45 | Ballo di Mantua (Cecilia pavan) | 1543 |
| Spagnioletta à 4 | 1341, 1464 |