INDEX OF WORKS BY NAMED COMPOSERS (or arrangers) of music current in Shakespeare’s time
Compilers of anthologies are not here distinguished from composers, so that, for instance, settings of popular tunes for 4 or 5 part consort can reasonably be considered their own compositions, reflecting John Cutts (CU194) reference to the important contribution to this repertory in the form of keyboard pieces by Giles Farnaby where he notes that some attributed works may be as arranger rather than composer. Titles of works which show the status or rank of a person are listed under family name, e.g. DOWLAND ‘My Lady Hunsden’s Puffe’ under letter H in the list of works by that composer. Where more than one reference is given, full bibliographical detail together with musical incipit will be found under the serial numbers between 1 and 417, otherwise under the number printed in bold.
K
| KETE, Edmund | Barrow Faustus dreame | 201b |
| fl 1609 | ||
| KINLOCH, William | Ground | 746, (1425) |
| fl.1568-1582 | ||
| KIRBYE, George | Up then, Melpomene, madrigal | 244d |
| c1565-1634 |
L
| LASSUS, Orlande de | Un jour vis un foulon (Monsieur Mingo) | 66d |
| 1532-1594 | 2 Fantasias, 2 lutes | 785-6 |
| Susanne un jour, chanson | 870 | |
| LAUDER, James | The Golden pavan (My Lord of Marche paven) | 354g,1409 |
| 1535-95 | ||
| LEJEUNE, Henri | Gavotte à 4 | 43, 891 |
| fl 1636 | Pavane à 6 | 21a, 40b |
| L’ESTRANGE, Sir | Amazonian masque | 17 | 318a |
| Nicholas 1603-1655 | Apes’ dance at the Temple | 486, 1497 | |
| Baboon’s dance (Robert Johnson) | 27 | 386k, 485, 1149 | |
| Bear’s dance | 19 | 402, 1152 | |
| Bull masque (John Bull) | 81 | 496, 1160 | |
| Devil’s dance (Adson) | 85 | 161 | |
| Essex antique masque | 92 | 1159 | |
| The Fairey masque (Robert Johnson) | 57 | 194a, 195 i | |
| The Flat masque (John Johnson) | 37 | 1133 | |
| The French Morris | 90 | 1189 | |
| The Furies | 72 | 155 | |
| Gray’s Inn antic masque | 91 | 1139 | |
| Gray’s Inn masque (The Lords II) | 23 | 1147 | |
| Gray’s Inn masques I & II (Coperario) | 50, 51 | 308e iii, 1143-4 | |
| Gray’s Inn masque (Mad Tom) | 99 | 130b, 1142 | |
| The Haymakers’ masque | 13 | 314d, 749 | |
| The Humming bachelor | 1071 | ||
| The King’s mistress | 108 | 1140 | |
| The Ladies’ masque I | 14 | 103 | |
| The Maypole | 70 | 353, 1167, 1185 | |
| The Maypole dance at Gray’s Inn | 103 | 1198 | |
| Näglein Blumen (Bateman) | 44 | 1166A | |
| The Noble man (Robert Johnson) | 55 | 1141 | |
| The Princes I-III (Robert Johnson) | 135-7 | 727/ 1153-5 | |
| The Satyr’s masque (attrib. R. Johnson) | 56 | 11, 415a, 1150 | |
| The Shepherd’s masque | 66 | 407a, 1450 | |
| Standing masque (Fairest nymphs. Gibbons) | 102 | 1139 | |
| Stephen Thomas, his almains | 102 | ||
| The Tempest (Robert Johnson) | 62 | 308a | |
| The Temple dances I-III | (attrib. R Johnson) 39-41 | 313g | |
| The Witches’ dances I-II (attrib. R Johnson) | 25-6 | 160; 162, 1458-9 |
| LOBO, Alonso | Versa est in luctum, motet | 1034, 1463 |
| 1555-1617 | ||
| LUPI da Caravaggio | Alta carretta (Aria del Gran Duca) | 1541 |
| Livio. fl. c1607 | ||
| LUPO, Joseph | Pavane (attrib.), see Thomas LUPO below | |
| c1537-1616 | ||
| LUPO, Thomas. | Fantasias à 3 and 4 | 29a, 770; 771, 772-6 |
| 1571-1627 | Pavane a 3 (attrib.) | 166a |
| Shows and nightly revels | 1165 | |
| Time that leads the fatal round | 1166 |
M
| MARCHANT, John | Can shee, virginals (attrib.) | 353c, 879, (1089) |
| 1593-1611 | Echo, 2 lutes (attrib. Pilkington) | 764, 1071 |
| Pavan à 4 | 1230 | |
| MELL, Davis | Morisco à 2 with continuo (version of Susato ‘La Mourisque’) | 1186 |
| 1604-62 | ||
| MELVILL, David | Hey ho, to the greenwood | 908 |
| 17c | O lusty May | 1179, 1442 |
| MICO, Richard | Pavanes à 4 and à 5 | 1250; 1249 |
| 1590-1661 | ||
| MILANO, Francesco da, see Canova, Francesco | ||
| MODERNE, Jacques | Pavane (‘Il estoit une fillette’) | 1381 |
| 1500-1562 | ||
| MONTEVERDI, | Il Ballo delle ingrate: Entrata I-IV | 739 |
| Claudio 1567-1643 | ||
| MORLAYE, Guillaume | Galliarde, lute | 832A |
| c1515-after 1560 | Hornepype d’Angleterre, guiterne’ | 932 |
| MORLEY, Thomas | M | F | ||
| 1557/8-1602 | Air (from Introduction to the Skill of music) | 230c | ||
| Alison’s knell (Alison) | 11 | 109b | ||
| Alman | 152 | 215h, 435, 548 | ||
| Alman | 242 | 276a | ||
| Batchelar’s delight (Alison) | 24 | 607 | ||
| Can she excuse, or Essex galliard (Dowland) | 6 | 383,879, (1078) | ||
| (My Lord) Chamberlain’s galliard, 2 lutes (Dowland) | 1069 | |||
| Come sorrow, come, lute song | 1031 | |||
| La Coranto (arrangement) | 22 | 151c, 296b | ||
| De la tromba pavane à 5 (Alison) | 3 | |||
| Do you not know à 3 | 653 | |||
| Frogg galliard (Dowland) | 10 | 188b | ||
| Galliard, see Lachrymae galliard below | 154 | |||
| Go from my window (Alison) | 12 | 9 | 354f, 898 | |
| Hard by a crystal fountain, madrigal à 6 | 648 | |||
| It was a lover and his lass | 20 | |||
| Jew’s dance, 2 lutes (Nicholson) | 963 | |||
| Joyne hands, dance | 17 | 724, 925 | ||
| Lachrymae pavan à 6 (Dowland) | 7 | 153 | 31a, 33a, 336e | |
| Lacrymae galliard (Dowland) | 154 | 853 | ||
| Il Lamento, fantasia à 2 | 1012 | |||
| La volto, see Lavolto below | ||||
| Long live fair Oriana, see above ‘Hard by a crystal fountain’ | ||||
| Michell’s galliard (anon., set by Morley) | 16 | 26b, 850 | ||
| Mounsiers almaine (Byrd) | 15 | 256a ii, 442 | ||
| My bonny lass she smileth | 1174 | |||
| Nancie | – | 12 | 221, 436 | |
| Now is the month of maying, madrigal à 5 | 1173 | |||
| O mistress mine, lute song (+ keyboard arr. Byrd) | 19 | 336f, 344 | ||
| My Lord of Oxenford’s maske (Byrd) | 14 | 218b | ||
| Pavan & Galliard (Philips) | 8, 9 | 313b, 1291-2 | ||
| Capt Digorie Piper’s pavan & galliard (Dowland) 4, 5 | 9a; 8b | |||
| Quadro pavane (Passamezzo moderno) | 1 | 273a, 1293, 1359 | ||
| & galliard (Alison) | 2 | 274a, 1294, 1360 | ||
| Response pavan (attrib. Alison) | 24 | 1241 | ||
| The Sacred end pavan (and galliard by Baxter) | 1304-5 | |||
| La Sampogna, canzonet à 2 | 1456 | |||
| See my own sweet jewel, canzonet à 3, see Joyne hands | ||||
| Sing we and chant it, madrigal à 5; arr. solo voice | 148d | |||
| Lord Souche’s maske (attrib.Farnaby) | 23 | 255a, (326) | ||
| Though Philomena lost her love à 3 | 652 | |||
| La Volto, consort; virginals | 21 | 313e, 366c, 1533 | ||
| Will you buy a fine dog | 409b, 484 | |||
| Zouche’s masque, see under Souche |
| MUDARRA, Alonso | Spanish pavane | 142a |
| c1510-1580 | ||
| MULLINER, Thomas | The Queen of Scots galliard, cittern | 866 |
| c1550-1575 | ||
| MUNDY, John | Faire weather, Lightening and Thunder (The Tempest) | 789, 1443 |
| c1555-1630 | Go from my window (almost same as Morley’s setting F9) | 354f, 898 |
| Robin, virginals | 48a | |
| MUNDY, William | O Lord the maker of all thing | 107a |
| c1529-91 |