BYRD, William |
[MB Keyboard music, ed. Alan Brown: 1-45 in v.27 and 46-120 in v.28] |
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1543-1623 |
[BY My Lady Nevelle’s Virginal Book 1591] |
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[a2] etc. identification of instrumental works in Neighbour (NB) |
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See also NOTES under Pavan and Galliard |
F |
BY |
MB |
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All in a garden green |
104 |
32 |
56 |
15d |
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Alman in C [C2] now attributed to Byrd |
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117 |
445 |
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Alman in G [G3] |
156 |
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89 |
444 |
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Alman in g [g2] |
163 |
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11 |
443 |
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The bagpipe and the drone |
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4f |
94f |
407c, 526 |
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Barafostus Dream (atrrib.) |
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201b, 1454 |
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Barelye Breake |
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6 |
92 |
62d, 711 |
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(Mr Byrd’s) Battell; see The (Earl of) Oxford’s march; The bagpipe and the drone; The burying of the dead; The flute and drum; The Irish march; The marche of footmen; The marche of horsemen; The marche to the fight; The morris; The retreat; The souldiers dance; The souldiers summons; The trumpetts; see also Galliarde for the victory |
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The Bells, ground (By the moon à 4) |
69 |
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38 |
191c, 217d, 539, 1479 |
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Bonny sweet Robin, variations (?Bull, Farnaby) |
128 |
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106 |
48a |
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Browning à 5 (The Leaves be green) |
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154d, 916 |
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The burying of the dead à 4 |
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113a |
12, 530 |
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By the moon, see The Bells |
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Calen o custure me, variations |
158 |
15 |
35 |
74, 341 |
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Carman’s whistle, variations |
58 |
34 |
36 |
53, 60, 122, 403e, 610, 713 |
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Chi passa, see Qui passe |
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Come to me grief for ever, Elegy on the Death of Sir Philip Sidney |
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1017 |
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Coranto in A minor, see French coranto no 1 |
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Coranto in C major [C1] |
241 |
11 |
45 |
669 |
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Crowned with flowers, consort song |
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202, 655 |
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Echo pavan and galliard [G5] (attrib.) |
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114 |
765-6 |
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Fair Britain Isle, Elegy for Prince Henry, consort song |
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1016 |
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Fancie in D minor [d1] |
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41 |
46 |
790 |
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Fancie in C [C2] |
103 |
36 |
25 |
791, 1476 |
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Fantasia à 4 [4/g] |
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793 |
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Fantasia à 6 [6/g 1] |
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768A |
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Fantasia à 6 [6 ] |
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768B |
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The Flute and drum |
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4g |
94g |
14, 527, 752, 1122 |
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Fortune my foe |
65 |
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6 |
182, 810 |
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French coranto no 1 [a1] |
218 |
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21a |
151c, 670, 1242 |
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The Galiarde for the Victorie [G10] |
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5 |
95 |
533 |
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Galliards, see also Pavanes and Galliards |
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Galliard by Harding, set by Byrd |
122 |
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55 |
859 |
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Galliard’s gigge |
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18 |
991 |
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The Ghost, alman, variations |
162 |
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78 |
1475 |
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A Gigg [jig a 1] |
181 |
7 |
22 |
302b, 992 |
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Gipsies’ round, variations |
216 |
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80 |
(701), 1388 |
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Go from my window, variations |
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79 |
354f |
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Hornpipe, ground |
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39 |
928 |
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Hugh Aston’s Ground, variations |
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25 |
20 |
742 |
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In angel’s weed: Elegy for Mary Queen of Scots |
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1014 |
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In nomine à 5 [5/5] |
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336 i, 1007 |
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The Irish march (attrib.) |
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4e |
94e |
525, 958 |
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John come kiss me now, variations |
10 |
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81 |
106b, 566, 722 |
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Lachrymae pavane (after Dowland) |
121 |
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54 |
31a |
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The leaves be green, fantasia à 5, see ‘Browning’ |
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Lullaby, my sweet little baby, consort song |
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1043 |
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Maiden’s song |
125 |
28 |
82 |
494 |
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Malt’s come down, variations |
150 |
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(10h), 750 |
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March before the Battell (The Earl of Oxford’s march) |
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also as consort song, arr. Morley M14 |
250 |
3 |
93 |
219b. 520 |
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March of the footmen (attrib.) |
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4b |
94b |
522, 1119 |
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March of the horsemen (attrib.) |
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4c |
94c |
357, 523, 1120 |
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March to the fight (attrib.) |
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4h |
94h |
528, 1123, 1504 |
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Mille regrets, variations |
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1238 |
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Monsieur’s almain, broken consort (arr. Morley) |
(61) |
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56a ii, 442 |
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The Morris (attrib.) |
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113b |
531, 1195 |
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My little sweet darling, consort song (wrongly attrib.) |
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25, 644, 1044 |
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My Lord of Oxford’s masque, see ‘(Earl of ) Oxford’s march’ |
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My mistress had a little dog |
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374, 483 |
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The Noble Famous Queen, threnody on the death of Mary Queen of Scots |
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1015 |
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Non nobis Domine, canon à 3 (possible attribution) |
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76a i, 624 |
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O mistress mine, variations |
66 |
31 |
83 |
344 |
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(Earl of) Oxford’s march (My Lord of Oxenford’s maske) or The march before the battle |
250 |
3 |
93 |
219b, 520, 1118, 1547 |
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Passingmeasures pavan and galliard [g1] see below |
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Pavans and galliards, for complete list, see NOTES under that heading |
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Pavan, Lachrymae setting, keyboard, see under Lachrymae above |
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Pavan and galliard in A minor [a1] |
252-3 |
14-15 |
14 |
308f i-ii, 1314-5 |
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Pavan and galliard in A minor [a2] The Earl of Salisbury |
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15 |
1307-8 |
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Pavan and galliard in A minor [a5] (wrongly attrib.) (Pavan arr. of Holborne H35) (q.v.) |
173-4 |
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99 |
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Pavion of Mr Bird, in B flat [Bb] |
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23 |
1306 |
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Pavan in C major ‘Kinborough Good’ [C2] |
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20 |
32a |
1316-7 |
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Pavan and †galliard in C minor [c1] |
167-8 |
10-11 |
29 |
1309; 241e |
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Pavan and galliard in F (Bray) [F1] |
91-2 |
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59 |
1309-10 |
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Pavan and galliard in G ‘Echo’ [G5] |
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114 |
765-6 |
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Pavan and galliard in G minor [g1] |
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‘Passingmeasures’ |
56-7 |
24-5 |
2 |
1312-3 |
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Pavan and galliard ‘to delight’ (John Johnson, set by Byrd) |
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1279-80 |
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The Pavan and galliard à 6 viols [6/C] |
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1378-9 |
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Queen’s almane (‘The oulde Almaine’) [g1] |
172 |
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10 |
320b, 446 |
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Qui passe For My Lady Nevell, galliard |
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8 |
19 |
384 |
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Quoth Joan to John, see Wilson’s wilde |
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The retreat |
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4i |
94i |
529, 1368 |
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Rowland (Lord Willoughbies welcome home) |
160 |
33 |
7 |
203a, 365, 1375 |
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The Earle of Salisbury pavan and galliard, see Pavan and galliard [a2] |
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Sellenger’s round, variations |
64 |
37 |
84 |
188d, 201c, 217b ii, 414a, 1386 |
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Soldier’s dance (not authentic) |
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113c |
19, 35, 182b, 398 |
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Soldier’s summons |
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4a |
94a |
521, 1505 |
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Susanna fair, voice & 4 viols |
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Te Deum (Short Service) |
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76 ii a |
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Though Amarylis dance in green, as consort song à 5 |
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651 |
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The trumpetts |
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4d |
94d |
524, 1506, 1121 |
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Ut, re, mi, fa, sol, la, keyboard |
101 |
9 |
64 |
1521 |
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La Volta (after Arbeau) [G1] |
155 |
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91 |
692, 1349, 1531 |
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Volte L[ady] Morley [G2] |
159 |
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90 |
1532 |
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Walsingham variations |
68 |
31 |
8 |
44, 1540 |
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While Phoebus used to dwell, consort song |
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1015 |
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(Lord) Willoughbies welcome home, see Rowland |
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Wilson’s (Wolsey’s) Wilde, galliard |
157 |
2 |
37 |
9b, 207a |
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(Will you walk the) Woods soe wylde. |
67 |
27 |
85 |
15b, 236b, 915 |
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Ye sacred muses, consort song |
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1013 |