Abbreviation used for each play – with number of suggested potential musical interjections
- All’s well that ends well (AW-6)
- Antony and Cleopatra (A&C-8)
- As You Like It (As-9)
- The Comedy of Errors (CoE-2)
- Coriolanus (Cor-2)
- Cymbeline (Cym-8)
- Hamlet (Ham-17)
- Henry IV part 1 (1H4-4)
- Henry IV part 2 (2H4-16)
- Henry V (H5-6)
- Henry VI part 1 (1H6-5)
- Henry VI part 2 (2H6-3)
- Henry VI part 3 (3H6-4)
- Henry VIII (H8-24)
- Julius Caesar (JC-4)
- King John (KJ-1)
- King Lear (KL-22)
- Love’s Labour’s lost (LLL-17)
- Macbeth (Mac-8)
- Measure for Measure (MfM-2)
- The Merchant of Venice (MoV-9)
- The Merry Wives of Windsor (MW-14)
- A Midsummer Night’s Dream (MND-30)
- Much ado about nothing (Mu-27)
- Othello (Oth-7)
- Pericles (Per-13)
- Richard II (R2-5)
- Richard III (R3-2)
- Romeo and Juliet (R&J-11)
- The Taming of the Shrew (ToS-15)
- The Tempest (Tem-21)
- Timon of Athens (ToA-5)
- Titus Andronicus (T.A.-6)
- Troilus and Cressida (T&C-7)
- Twelfth Night (TN-34)
- The Two Gentlemen of Verona (TGoV-7)
- The Two Noble Kinsmen (TNK-26)
- The Winter’s Tale (WT-18)